Manifest, 2001. relief etching, printed in black ink, from six plates. Hertha Kluge Pott. This is not a good photo of this painting. The detail was beautiful.
The Nine Shots, 1985. Synthetic polymer paint and oilstick on 91 canvas boards. Imant Tillers. Andrew Arnaoutopoulos told me to look closer at Tillers work. I am yet to do more reading on this artist.
Looking through the galleries during the breaks was not long enough during the symposium. Art from this part of the world, that is Australia and its neighbours, is better than anywhere on my eyes.
The Chase, 2008. Leather, tea tree wood and steel pins. Julie Gough. On the right is what is written in pins on the chair.
Sydney Sun, 1965. Oil on three plywood panels. John Olsen
Brisbane visual artist